Showing posts with label Movies Review. Show all posts
Showing posts with label Movies Review. Show all posts

Saturday, May 7, 2011

Salman Khan Ready Cast Crew


Ready is a upcoming bollywood movie starring Salman Khan, Suhasini Mulay, Arya Babbar, Paresh Rawal and is directed by Anees Bazmee .

Ready Hindi CAST & CREW Actor :
Salman Khan

Actress : asin

CAST : Akhilendra Mishra,Arya Babbar,Mahesh Manjrekar,Paresh Rawal

Director : Anees Bazmee

Producer : Bhushan Kumar,Kishan Kumar,Nitin Manmohan,

Sunday, January 16, 2011

Yamla Pagla Deewana Cast and Review

Yamla Pagla Deewana Movie Cast:
Direction: Samir Karnik;


Cast: Sunny Deol, Bobby Deol, Dharmendra, Kulraj Randhawa, Anupam Kher



Yamla Pagla Deewana directed by Samir Karnik, Movie is a frothy that will have the audience in splits. It is a movie that is all about the Dharmendra, Sunny and Bobby who conjure up a great on screen camaraderie to dish out a laugh riot.

Tuesday, January 4, 2011

Mirch Cast and Review


Mirch Star Cast
Shreyas Talpade-Manjul
Mahie Gill
Shahana Goswami-Ruchi
Konkona Sen Sharma-Lavni / Anita
Raima Sen-Maya / Manjula
Arunoday Singh-Maanav
Rajpal Yadav-Kashi
Boman Irani-Asu Hotmal
Sushant Singh-Nitin
Prem Chopra-Raja Nirgun Singh
Saurabh Shukla-Satish
Tisca Chopra-Seema
Ila Arun-Kesar

Mirch Movie Review
You are forewarned at the outset that this movie talks of four adulterous people. But the question is, haven't we watched men cheating women in soooo many films in the past? Haven't women caught their men with their pants down, in the past? So what's new in MIRCH? For a change, the women in MIRCH are into adultery. They are the ones who are cheating on their husbands and in each of those stories the woman manages to go scot-free when caught red-handed with her lover.

Is the audience mature enough to handle the portrayal of female sexuality on screen? Well, first and foremost, movie goers are mature enough to understand and laud good themes and subjects and MIRCH, which director Vinay Shukla refers to as "a celebration of womanhood", narrates four separate stories based on issues of women emancipation and also dabbles with gender equality in a relationship. It's a sex comedy with generous doses of wit; not a serious take on feminism. Again, it is erotic in parts, but not vulgar. We've seen lots of movies dealing with male sexuality, but MIRCH deals with women's libido and that too in a funny way.

Wednesday, December 1, 2010

Phas Gaye Re Obama Movie Review


Phas Gaye Re Obama Cast:

Release Date: December 3, 2010
Genre: Crime
Producer: Ashok Pandey
Executive Producer / Co-Producer
Naren Kumar
Director: Subhash Kapoor

Star Cast
Rajat Kapoor...... Om Shastri
Neha Dhupia...... Munni Gangster
Amol Gupte...... Minister
Amit Sial
Sanjay Mishra
Manu Rishi
Brijendra Kala
Sumeet Nijhawan
Surendra Rajan
Pragati Pandey...... Introducing
Devender Chaudhary
Vivake
Avantica

Singers
Manish J. Tipu
Richa Sharma
Kailash Kher

Lyricist
Shellee
Gopal Tiwari

Music Director: Manish J. Tipu
Background Music: Manish J. Tipu
Cinematography: Arvind Kannabiran
Choreography: Sagar Das

Phas Gaye Re Obama Review:

The movie traces the journey of Om Shashtri, an American citizen of Indian origin, who loses all his wealth overnight to the global recession and has been asked to vacate his home by the bank unless he pays up $100,000 within 30 days.

Seeing no other option Om comes to India to sell a small piece of an ancestral property. But within days of landing in India he is kidnapped by a 'recession-hit' underworld gang who think that he is still a millionaire.

What happens to Om, is he able to save his home, how did the 'poor' gangster cope with their 'poor' catch and what do small town Indian gangsters have to say to President Obama...is largely forms the rest of the story.

The movie, showcases how global meltdown impacted lives from an America based businessman to underworld dons in the dusty plains of small town India.

Saturday, November 27, 2010

Break Ke Baad Review


Director: Danish Aslam
Producer: Kunal Kohli
Starring: Imran Khan,Deepika Padukone,Shahana Goswami,Yudishtir Urs,Navin Nischol, Lillete Dubey
Lyrics: Prasoon Joshi
Music: Vishal-Shekhar
Genre: Romantic
Movie Released on: 26 November 2010



Break Ke Baad Review
Aaliya is a crazy girl who seems to be hell bent on messing up a good thing, for no reason at all. She has the best boyfriend -- the ever-understanding, sensitive and so very dependable Gulati. Yet, you can understand why she wants to fly off into unknown territory, chasing unnecessary dreams, yearning for useless adventure and talking on an on about spurious spaces. As for Gulati, he's typical too with his laid back acceptance of what life has to offer, even if it means slogging as a glorified clerk in his dad's office while all he wants to do is cook and serve. There's something so endearing about his desire to be the `manjha' (string) to Aaliya's soaring kite stance. And the fact that Imran pitches his performance at a very very downplayed level makes Gulati's non-demanding, dependable guy act even more effective. As for Deepika, well her Aaliya is relatively effortless too, despite the fact that it's a mercurial, illogical, irrational ekdum flighty character. Her climactic act seems to be the best performance in her entire career: completely spontaneous, crazy and nice.

The movie does have a terribly sluggish middle and there are places where the drama seems to be heading nowhere, but the witty banter between the protagonists does fill in the lacunae to some measure. The dialogues are smart and the conversation funny, specially when Deepika insists on calling herself Shah Rukh khan and oscillates between Gulati, Julati and Gelatto when it comes to referring to her boyfriend. And if that's not enough, he even becomes Sunita in certain sequences. Lillette Dubey as the adventurous aunt also adds to the sparkle with her homespun asides on love and marriage.

Break Ke Baad movie is the other flavour of romance.

Thursday, November 11, 2010

Golmaal 3 Review


Touted as India's first-ever trilogy, GOLMAAL 3 [G-3], the third installment of GOLMAAL and GOLMAAL RETURNS, promises to mesmerize, tickle your funny bone and entertain moviegoers of all ages. G-3 promises to be bigger, better, funnier and far more entertaining and amusing than the first two parts.

Tuesday, November 9, 2010

Action Replayy Review


Action Replayy Movie Cost:
Akshay Kumar, Aishwarya Rai Bachchan, Aditya Roy Kapoor, Neha Dhupia, Rannvijay Singh, Om Puri, Kirron Kher, Rajpal Yadav
director : Vipul Amrutlal Shah.

Bollywood new movie Action Replay is a light, soft, romantic comedy with a pinch of fiction added to it. The story is about young Bunty (Aditya Kapoor) who believes that marriage is evil and the end of life. His parents, Akshay Kumar and Aishwarya Rai, are forever fighting and arguing as old couple, and these fights keep him away from getting married to his girlfriend Tanya. But Tanya’s grandfather, Professor Anthony Gonsalves, has given him an ultimatum to get married or stop seeing her. Now Bunty feels that unless he does something fast, his dreams of living happily ever after with Tanya will never be possible. Bunty plans a surprise party for his parent’s 35th wedding anniversary but it deteriorates into yet another explosive quarrel between Kishen and Mala, and then Bunty decides to turn back the clock and rewrite his parents destiny and alter their disastrous marriage into a romantic affair.

Saturday, October 23, 2010

Jhootha Hi Sahi Review


Jhootha Hi Sahi, Tyrewala's second directorial try and his spouse Pakhi's prime expert at scriptwriting and performing, is a delightful heading from Bollywood staple. It's like a lulling dish copulate on the sleeping River, with A R Rahman's swingy melodies warbling in the information.

Evangel Ibrahim plays a monocled, bungling geek Siddharth aka Sid, whose sound number is mistakenly printed on the book of a suicide helpline in London. Thanks to this mix-up, every period Sid is weak with calls from guys waiting and wanting to actuation from windows or pumping behind a bottle of sleeping pills. Sid tries to counsel them from doing so.

One night he gets a birdsong from a female Mishka (Pakhi) who's on the boundary of success her spirit after a bitterness break-up with lover (Madhavan). Sid persuades her to fix on to history and slow a friendship brews between the two.

Hassle begins when Sid lies about himself and tells her that he's an adventurous guy who has scaled mountains, measured low seas and what not, while in realism he's exclusive seen it on Nationalist Geographical, that too in half rest.

The true Sid is a crybaby, who stammers, and cowers into a crossing when faced with Mishka. So, should he divulge his apodictic identity to her? Or should he quantity the treble role - one as a phone someone in whom Mishka confides and the added as the bumbling Sid whom she grudgingly likes - all this without letting her know that both are the synoptic individual?

Though boilersuit a watchable show, Jhootha Hi Sahi keeps losing its clutch repeatedly. John's stammer, tho' asymptomatic enacted, is overstated; so is the attempt to eliminate Pakhi examine exciting and junior. But to her attribute, yet if she looks adult than Apostle, Pakhi is homelike low her skin and gives a o.k. action for a woman. For the initial instant, Gospel comes up with a action that merits a actual commendation. Activity the person of a bookstore, who doesn't see much for his token woman (Manasi Player) and who's ill at relieve when face-to-face with any silty strands throughout the layer of the account and ties them up by the end, connecting the dots and culminating the account in an all but predictable second. What stands out, nevertheless, are the oddball characters in the picture. There're Sid's Asiatic neighbours: his respectable quaker Omar (Raghu Ram) and his great missy Aliya (Alshika Varde) who keeps turning hair her fellow Nick's (George Preteen) union proposals for reasons never made hyaloid. Or there's Amit (Omar Khan) who's a can gay and has a alter on Uday (Prashant Chadda) a consciousness confessed gay. And there's Sid's overbearing woman Krutika (Manasi see is the repartee between this color constellate of characters. The dialogues are crispy, with witty retorts. But many sequences in the film are understandably overwrought. The instrument of Pakhi's ex man, his occurrence, and her fulminant exchange of pump towards Sid doesn't seem disillusioning. Also the close could bang been outmatch conceived. When Pakhi is eventually sure near what she wants, why on world she sets a deadline? To eliminate the mathematician gallop like a frame and shift across the last Form Link? Or was Tyrewala disagreeable to beef the mortal out of the wuss? Or was he just trying to cobblestone together a light end without himself existence confident

Whatever! Timepiece Jhootha Hi Sahi only if you are in the modality for a upgrade, lentissimo, dark bed tale.

Thursday, October 14, 2010

Aakrosh Review


Aakrosh Movie Stars:
Ajay Devgan, Akshaye Khanna, Bipasha Basu, Paresh Rawal, Amita Pathak

The movie revolves around a lower caste guy who had gone along with his two friends to a village - Jhanjhar in Bihar, his native place, to watch Ramleela. These three students of Delhi University go missing in the dusty village. In the previous three months there was no clue where the young students have vanished. Media and students movement all over Bihar takes a pivotal step for getting hint of these students, its then government appoints CBI officers Siddhant Chaturvedi (Akshaye Khanna) and Pratap Kumar (Ajay Devgan) to find out the truth.

Sunday, October 3, 2010

Peepli Live Review


Peepli Live had a lot of expectations, coming from Aamir Khan’s production. And was it as good as it seemed when we first saw Peepli’s promos? It is the début movie of journalist-turned-director Anusha Rizvi. Yup, you read it right. Peepli is this bold chick’s first movie. And, she wrote the script herself. I had considered this fact more than anything else before writing an honest review of the movie, not giving into my usual character of being a devout Aamir Khan.

Peepli live essentially takes a “lively peep” at some very disturbing issues in India. It tackles the serious issue of farmer suicides, vote bank politics and the sensation crazy TRP hungry media channels. It also takes a look at how bureaucrats manipulate the woes of the common man to their advantage. Quite a mouthful of themes eh? At first thought, these ideas usually paint a serious picture and make you want to ditch the idea of watching the movie. However, this is Aamir Khan – a marketing genius who has shown a weirdly accurate knack of what works in Bollywood. So instead of a boring, preachy documentary, what we get is a bone tickling satire about how the media stoops to inhuman levels to ‘cover’ the plight of a farmer.

Wednesday, September 15, 2010

Emraan Hashmi's Crook Review

Bollywood Hotest hero, Emraan Hashmi's next movie 'Crook It's Good To Be Bad' is going to deal with the serious issue of racism, which had occurred in Australia recently. Mohit Suri of 'Kalyug' fame will be directing the movie.

The director was quoted sharing an experience during one of his visits to Australia. Mohit said that he was once standing outside a 24 hour convenience store, which is situated in the Sunshine district of Melbourne. The most brutal attacks on Indians had taken place in that spot in Australia. Suri said that he was shocked to known how they beat up the Indian only because of religion and color.

Mohit felt that it was his duty to raise voice on this issue. He informed that while leaving the store, he saw an ad on the window of the store that read, 'Accommodation is available for the Indian students for Gujarati boys only'.

The director said that that particular ad was the starting point of the movie. He realized that the social evils like racism are part of all human heart. But it depends on an individual to decide whether it is good to turn bad in this current scenario or does one need to pay for being good.

'Crook It's Good To Be Bad' stars Emraan Hashmi, Arjan Bajwa of Fashion fame and new face Neha Sharma. In the movie, Emraan plays the guy, who has to decide to turn bad for good.

Saturday, September 11, 2010

Dabangg Review

Dabangg Producer: Arbaaz Khan
Dabangg Director: Abhinav Kashyap
Starring: Salman Khan, Arbaaz Khan, Sonakshi Sinha, Sonu Sood, Vinod Khanna Dimple Kapadia
Music: Sajid Wajid, Lalit Pandit
Lyrics: Faiz Anwar, Lalit Pandit, Jalees Sherwani


For a masala film, the story is perfect, and the screenplay is razor-sharp and so quick you’re left with no time to breathe. Dialogues are powerful and very well-written. Character sketches though turn out to be the most important and the most vivid part of the film. The colorful character of Chulbul Pandey has been so well-written anybody would fall for his charming but raw personality. Subplots are commendably woven into most part of the screenplay and don’t look out of place.

If the writing is excellent, the execution by Kashyap is top-notch. Aadmi mein dum hai. He handles each scene with so much finesse that you’ll end up getting gripped with the whole film. I can’t wait to see what Kashyap intends to direct next.

Mahesh Limaye’s cinematography captures the raw, gritty essence of the film where it’s needed, and also ends up beautifying the more romantic scenes. Camerawork is terrific. Action by Vijayan Master (who coincidentally also choreographed the action of Salman’s last hit Wanted, which also fits into the same genre) is mind-blowing, and the edit of the action by Pranav V Dhiwar makes the sequences so stylish it has the wow factor attached to it. The music of the film is fun and frothy when needed and soft and classy when needed. Numbers like “Munni Badnaam” and “Hud Hud Dabangg” are powerful because they contain terrific visuals, which do not elude romantic songs like “Tere Mast Mast Do Nain” and “Chori Kiya Re Jiya”. Visual effects are realistic and sophisticated at the same time.

Dabangg would surely be incomplete without Salman Khan. The arrogance and chutzpah mixed with a more childish and cute personality that he has exuded throughout the film has been brought to life with such elan you have to admit that Salman’s the star performer in the film. New entrant Sonakshi Sinha impresses and shows that acting’s in her blood with her short but powerfully portrayed role. Sonu Sood is convincing as the malicious antagonist. Vinod Khanna is his usual powerful self in this short supporting role too. Arbaaz Khan is convincing. Others like Tinnu Anand, Om Puri, Mahie Gill, Dimple Kapadia and Anupam Kher are efficient.

Dabangg impresses, and how! Sure it’s not Wanted but it’s much better than it in terms of execution, editing, styling, performances and structure of the whole film. Via the barrage of parallel cinema coming out in Hindi film through new directors like Ayan Mukherji ( Wake Up Sid) and other more experienced ones like Kashyap’s brother Anurag (Dev.D), this movie turns out to be a hugely pleasant surprise for people thirsting for non-stop entertainment for the whole of two hours in a film.

Friday, August 13, 2010

Amir Khan Movie Peepli Live Review

Peepli village residents, Natha (Omkar Das) and his elder brother Budhia (Yadav) lose their family land to the bank since they cannot repay their loan. Helpless, they seek help of the local village politician Bhai Thakur (Sitaram Panchal). While Bhai Thakur insults them, one of his cronies mockingly tells the duo about a Government Policy that gives monetary benefit to farmers committing suicides. The brothers take that idea seriously. In a superbly written scene, Budhia manages to get Natha volunteer to commit suicide for the sake of his family. A local reporter, Rakesh (Nawazuddin) gets the whiff of this and does a story on for his newspaper. He also intimates a big English news channel reporter Nandita Malik (Malaika Shenoy) about the same. But no sooner does she breaks this news on her channel, almost every single channel rushes in to cover Natha’s suicide story live. The local by-elections are just around the corner what with it being the state chief minister’s seat at stake. What all chaos it all leads to forms the rest part of the story.

TV journalist turned filmmaker Anusha Rizvi has handled her directorial debut like a pro. Her biggest ace is her black humour laced script that successfully packs in all the rot in our system. The lingo is earthy and much humour is derived from the manner it is spoken by the characters. Anusha leaves no stone unturned to poke fun of vote hungry politicians, the so called government policies for the BPL Indian’s that aide a dead farmer more than alive ones and the TRP thirsty channel heads and their reporters who don’t think twice before stooping to the lowest levels to grab audience attention. The poignant ends of Rakesh and an inconsequential village farmer stings your heart. While not many might agree with the unusual climax, it ends up presenting a disturbing fact. Though the film brings back memories of Mahesh Manjrekar’s Pran Jaaye Par Shaan Na Jaaye (2003) which had a character declaring a suicide and the commotion that follows, it’s Anusha’s subtlety in handling these portions that sets it apart.

Anusha scores high in her casting as her actors lend tremendous authenticity to the plot. Omkar Das Manikpuri is a real find. With his mere expressions, he makes his character extremely endearing. Raghuveer Yadav grabs your attention whenever on screen. Malaika Shenoy is extremely convincing. Naseerudin Shah’s cameo as the wily Agriculture Minister is just perfect. Playing to the gallery, Vishal Sharma as the Hindi TV channel journo nails it perfectly. Also impressive is Farrukh Jaffer as Natha’s bed ridden forever venom spewing mother and Shalini Vatsa as Natha’s feisty wife. Nawazzudin is exceptional as the reporter whose conscience awakens.

Anusha Rizvi’s Peepli [Live] is an excellent expose of the great Indian political tamasha, with the right amount of pinches at the flawed system and rightly showcases how the real value of a life is always ignored amidst the media circus. Please don’t miss it for anything. Black comedies like Peepli [Live] are a rarity in Bollywood.

Saturday, August 7, 2010

Lafangey Parindey Review

Lafangey Parindey Cast

Producer :
Aditya Chopra

Director :
Pradeep Sarkar

Artists (Cast) :
Deepika Padukone
Neil Nitin Mukesh


Lafangey Parindey Review
Lafangey Parindey is the new movie from the Yash Lafangey ParindeyRaj Films banner, starring Neil Nitin Mukesh and Deepika Padukone as the protagonists. Directed by Pradeep Sarkar, the movie has been produced by Aditya Chopra. The lyrics have been penned by Swanand Kirkire. Lafangey Parindey is set to hit the cinema halls on 20th August, 2010.

Nandu (Neil Nitin Mukesh), a young biker who fights his opponents in the ring blindfolded and on the other hand, there’s Pinky Palkar (Deepika Padukone), who despite being blind is highly ambitious and hopes to reach the skies through her unusual talents. Set in the gritty streets of Mumbai, the movie focuses on the intriguing journey of a blindfolded fighter and a blind dancer, who along with four other young friends set out to achieve the impossible.

With two different personalities crossing each other, Nandu and Pinky travel through different paths of love, friendship, hope and grit. While the wild, raw and ever hungry to win Nandu tries to teach Pinky how to see, the unique, powerfully talented and fiercely ambitious Pinky tries to teach Nandu how to love. Will they both succeed in their respective goals? Are they destined to meet or will they have to pay a price for their love? Targeting the young and urban audience, ‘Lafangey Parindey’ brings out a fresh and extraordinary edgy love story with the never-say-die spirit. If you are game for some local fights, terrific roller skating and Mumbaikar awaragardi.

Sunday, August 1, 2010

Khatta Meetha Review

Boollywood Movie Khatta Meetha takes stinging satirical swipes at the epidemic disease of corruption that has taken over the Indian ethos. Tragically the treatment is quite often heavyhanded. But the statement never drowns in the diatribe. Priyadarshan tends to fill up the outer edges with a profusion of incidental characters and over-elaborate gags and funny jokes that hold themselves in place in a world of unmitigated chaos like De Dana Dan.

Akshay Kumar’s family of discontented mal-paani-practitioners is a universe of brutish brothers and screechy sisters-in-law, and silently-suffering parents (played by those wonderful actors Kulbhushan Kharbanda and Aroona Irani).

It’s a family of corrupt road contractors and initially, Akshay seems the most wickedly immoral of them all. But hang on! As the narrative – at time plodding – moves forward we begin to understand the wacked-out sinister yet satirical, chaotic yet orderly, corrupt yet weirdly-ethical world of Sachin Tichkule.

Here’s a character that seems to have been written only for Akshay Kumar. And he gets hold of the ‘muddle’-class morality of Tichkule’s world with delightful earnestness. Frequently Akshay is exasperating in his efforts to explain why the middle class is in a state of self-destructive decline. But it isn’t the actor to blame. It is the nature of the material offered to the actor.

The domestic and professional world of Scahin Tichkule is not easy to penetrate. Akshay, demonstrating primetime ripeness in his body language and repertoire of Chaplinesque expressions, enters this wacky wounded world of the exploited and the damned with extraordinary empathy.

Akshay’s is a performance that is far more accomplished than it may seem to the popcorn province. He’s exasperating in his directness. He’s partly a cartoon character, partly an emblem of our times and wholly entertaining in his chaotic comprehension of the inadequacies of world we’ve inherited from the freedom fighters and brutally disfigured.

But alas! Akshay’s character is too wordy in his tongue type. The hallmark of Charlie Chaplin’s social comment was his silent expressions of protest. Akshay’s character and the film on the whole are much too verbose. The characters are constantly talking, as though not speaking would take away the audiences’ attention. A film making a social comment didn’t have to over-state its case so blatantly.

But the words do not cut into the narrative’s basic flow of tongue-in-cheek satire. Some sequences such as the one involving the steamroller and the elephant consume too much footage. The art of understatement eludes this political statement.

Trisha Krishnan in wearing chunky ear rings severe bureaucratic expressions makes an unusual debut. She is different from the short skirted hotties. But whether that difference makes a difference in Hindi cinema, time will tell.

Khatta Meetha stands tall in its message of restoring a semblance of moral order in the middle class. The last half-hour after Sachin Tickule’s sister is murdered, is thoroughly gripping. And the fight between Akshay and the corrupt goons in the crowded lanes is chilling in its realism.

Realism is a remotely but decidedly obtainable component in this parodic parable on the rotten fruits of excessively materialistic aspirations in post-Independence India.

Friday, June 25, 2010

Tere Bin Laden Review

Pakistani Singer Ali Zafar acting in a forthcoming Bollywood films like Ali Hassan. The film has been called “Tere Bin Laden” Ali Zafar to play the main lead role as a small time reports that want to take fame by producing a fake video of Osama Bin Laden. The story of the movie revolves around Pakistan and a Pakistani, some people over here could relate to and enjoy a whole new level. I was fun to see our culture is recreated in Mumbai on the Set of the film.


Tere Bin Laden Cast:
Producer:
Aarti Shetty, Pooja Shetty Deora
Director:
Abhishek Sharma
Cast:
Ali Zafar, Barry John, Chirag Vohra, Nikhil Ratnaparkhi, Piyush Mishra, Rahul Singh, Seema Bhargava, Sugandha Garg, Pradhuman Singh, Chinmay Mandlekar

Related Link:
Tere Bin Laden Wallpapers

Monday, June 21, 2010

Ravaan Movie Review

Bollywood Movie Ravaan is closer to an art house film in that it lends itself to multiple interpretations and like many of Ratnam’s films will be avidly analysed by academics. Once again he has drawn our attention to a marginalized community which sits uneasily within the jurisdiction of the State. Of course, a love story is still at the core of the turmoil - for Ratnam’s vision is that hearts unite when bombs explode and bullets fly. (Roja, Bombay, Dil Se). In films like Gitanjali and Dil Se - about obsessive love which defies reason - Ratnam has evoked myth, fantasy and romance in songs. The princely barge in Dil Se, set against a jungle backdrop or the Laila-Majnu-like desert sequence in Gitanjali. The difference in Ravaan is that myth and allegory are the vehicle for the entire story not just the songs. We are immersed in it to the extent that it eventually becomes our filmic reality.

Although a thought-provoking and visually sumptuous experience, the Hindi version of Ravaan is not a classic. Abhishek Bachchan is miscast as Beera. This is an intense role, demanding a layered performance and a level of gravitas that the actor doesn’t manage to project. The aim was to make Beera slightly schizophrenic - giving him some quirky habits and mannerisms. Unfortunately, Bachchan comes across as being stilted and forced without much else when the mask is peeled away. I was expecting to find something of the soul of the character beneath but it was only there in rare snatches. This made the growing relationship between Beera and Ragini (the Sita character) rather difficult to follow and really - a bit tedious to watch. Certainly both Abhishek Bachchan and Aishwarya Rai Bachchan have been challenged by their roles but the latter manages a more consistent and focused performance. Vikram, on the other hand, is in his element as the police officer on a mission, giving the appearance of self control but with the muscle clenching and off-handedness suggestive of another agenda.

The cinematography by V. Manikandan and Santosh Shivan is rich but a tad too invasive for my liking. Songs by A. R. Rahman were picturized beautifully but didn’t seem as essential to this film as they had been in previous Ratnam works. Two songs in particular, came very close together, which arrested the development of the story.

Ravaan opens and closes powerfully but seems smudged in the development of its key relationship. It is an artistic and ambitious project which hasn’t reached its full potential.

Sunday, June 6, 2010

Badmaash Company Movie Review

Bollywood new movie Badmaash Company is a film that is too smart for its own good. The main characters, four friends bonded by the collective will to grow rich overnight, go through a series on caper experiences. Not all of it is either convincing or even interesting. After a point, we know exactly where this quartet is hurling to. And the slide out of moral degeneration is never touching enough to make us shed a tear for these misguided over reachers.

The doom comes none too soon, and then the narrative proceeds without a proper graph. By the time Karan (Shahid Kapoor)’s spunky girl Bulbul (Anushka Sharma) leaves him the script begins to look like one of those subverted morality tales from the house of the Bhatts where the heroes talk with clenched fists and heroines weep in their pillows as their companions come home in a drunken stupor.

We’ve been here before. But wait. There is a sense of intuitive cockiness about the narrative which just sees the film’s improbable mixture of the trendy and the trite to the final stretch of predictable moral redemption.

There is a sense of the predictable and yet the unpredictable in the storytelling. Debutante director Parmeet Sethi’s screenplay is one of those things that you want to believe merely because it sounds so smart on paper. But not all of this makes complete or even incomplete sense. The climax about colour-bleeding shirts being sold to America as the Next Best Thing is much too far-fetched to work even as a part of a con caper.

Nonetheless Badmaash Company has a lot going for itself. The first-half when Karan meets Bulbul, Zing and Chang to create an instantly materialistic energy, gets you interested in these out-of-control lives. You don’t quite empathize with their overweening goals. But at least they seem to know their minds, even if on occasions the plot doesn’t seem to know what it’s doing.

There’s something pitch friendly about the four actors and the way they tackle the plot material, sometimes cool sometimes over-reaching itself. If the film holds together it’s because of the bonafide enthusiasm and unconditional surrender to the proceedings of the actors.

Shahid Kapoor movie in another perfectly poised and subtle performance even though his character’s graph gets blurred towards the end. You can’t stop caring for Karan’s character because Shahid doesn’t let go of his centre even when the narrative gets shaky.

Anushka Sharma in a stunning makeover conveys her character’s spirit and spunk through her well-toned body language and that twinkle in the eye. Tragically a lot of her speech and morality, and this goes for a lot of the film’s careless periodicity, is not 1980s at all.

Vir Das as the film buff with a roving eye negotiates his character with gentle care. Here’s one actor who knows what he’s doing even when his character doesn’t. And Meiyang Chang as the chinky-eyed alcohol guzzling Gangtok-guy seems made for his character.

Badmaash Company is an extremely smart and smart-looking film. But its sassy all-knowing tone cannot hide a certain bankruptcy of genuinely inventive ideas. This is a fatally-flawed film about seriously flawed characters. The packaging is glamorous but not over-done. The dialogues convey a ring of truth without bending backwards to be cool.

Saturday, May 29, 2010

I Hate Love Stories Movie Review

Karan Johar has been often accused of being hyperactive on portraying candy-floss entertainment in all these years. His latest entrant I HATE LOVE STORIES, a chirpy "feel-good" romantic entertainer brings out this confrontation through the mindsets of two leading characters, played by Sonam Kapoor and Imran Khan. Experimental and urbane to core, this reality-check on love-relationships promises frothy cum peppy music in its kitty, from hot "n" happening Vishal-Shekhar (V-S). After serenading out vivaciously vibrant trendy-beat soundtracks in DOSTANA (2008), this musical duo is likely to be casting another magical spell for the producers. In the past, KJo's immaculate record and choice of soundtracks has been making right moves and so expectations are reasonably high. Can this "love-hate" chemistry of love-birds have that extra pep-fizz to lure urbane listeners? Can we expect another chartbuster from ever-dependable Vishal-Shekhar in this much accepted genre of "feel-good" cinema? Fingers crossed and hope high as we plugged into its first soundtrack with sheer optimism.

Vishal Dadlani's coarsely blended rock-cum-reggae singing attire sets the pace and space for lively love-chemistry in series of event in peppy sounding "Jab Mila Tu". Anvita Dutt Guptan punches script-oriented wordings that delivers amiable graph between odd couples that are poles apart but still communicates. Its grungy rock-appeal had stringy electric guitar blues that are paced eclectically with spirited percussive moves in groovy reggae textured beats. Like "Jane Kyun" (DOSTANA -2008), it communicates in actions rather than delivering out emotions in melody and make mood frenzy. It targets campus-capers and so does it succeed with its refreshingly tangy melodic flavors that are surely going to have many takers. The initial thump of the album is eclectic as well as affirmative to be lapped at once. Do expect it to be next cool-ish sporty number (somewhat like "Hai Junoon" from NEW YORK) among teenyboppers when its racy signature tuneful makes it loud impact on media circuits.

Thursday, May 20, 2010

Indian Movie Kites Review

Bollywood Movie KITES is the eagerly anticipated romantic adventure starring Hrithik Roshan and Barbara Mori in lead, will open globally, including the America. and Canada, on May 21st, day and date with its Indian release. The Rakesh Roshan production, will be released by Reliance BIG Movies on more than 2000 screens simultaneously, including over 200 in the States.

KITES is a unique Bollywood film in a number of ways, not the least of which is the fact that a reworked English language version, designed to extend the reach of the original, will be launched in select engagements one week later. Entitled KITES: THE REMIX, it is being presented by Brett Ratner, who oversaw its creation. In the States, KITES: THE REMIX will be released in association with Mark Urman's Paladin, and will open in several major markets, including New York and Los Angeles, for the Memorial Day holiday weekend beginning May 28th (one week after the Hindi version release).

Sharp direction by Anurag Basu of GANGSTER and LIFE IN A METRO fame is something to look forward to. Music Maestro Rajesh Roshan's music, who is known for his superhit music in KAHO NAA PYAAR HAI and KOI MIL GAYA, makes it to the number 1 spot again.

It is a tale of history of Love, Action, Dance and persecution. A romantic action thriller set in the urban surroundings of Las Vegas, Sante Fe and Los Angeles, including the breath-taking exotic locales of New Mexico. It is a poetic film based on chronological events that take place in the lives of all the three characters of the film. A strong star cast - Hrithik Roshan, Barbara Mori, Kangana Ranaut, Kabir Bedi and Nick Brown, each of the film's actors are talented and recognized globally.